Parts |
|
Violin, piano
|
Duration (approx) |
|
21 minutes |
Composed |
|
2001, revised 2003 |
Publisher |
|
Music Haven |
Commission |
|
Cheltenham Festival
|
First performance |
|
29th April 2003 |
Venue |
|
Pittville Pump Room, Cheltenham |
Soloists / Players |
|
Jack Liebeck (violin), Katya Apekisheva (piano) |
Movements |
|
1. Quasi improvvisazione
2. Presto
3. Allegretto
|
Audio Samples
Programme Notes
This Sonata was originally conceived as a group of three independent movements that would be strongly marked from each other in both form and content. In fact, during the process of composition, I realised that the pieces were becoming increasingly related to each other in a way that suggested a sonata-like structure. In the midst of composition, I found myself in the uncomfortable predicament of having to supply programme notes - as one sometimes has perforce to do - for the premiere at the Cheltenham Music Festival in July 2002. I couched my programme notes in ambiguous terms in order to allow some creative freedom and avoid inhibition but in the event, only the first and third movements were performed as I was dissatisfied with the sketches for the middle movement. I felt that a more precise relationship to the design of the Sonata was required.
So the central Presto was completed the following year and follows a broad first movement that contrasts music of relatively free rhythm and dissonant intensity with that of diatonic simplicity and a stable pulse. The Presto is a projection of elements heard in the piano part of the previous movement; in particular an arpeggio reiterated over three descending notes under an E major pedal-point in the violin. This movement is not without moments of violence and is quite demanding for both players.
The last movement represents a 'return to grace' although this too is gradually invaded by the descending 3rd idea. Being in the remote tonal area of C sharp major, it is intended as a reconciliation of conflicting elements from the previous movements and a summation of the mediant tonal relationships of the Sonata.
Score Samples
Click a score sample below to view a larger version of the score...
1. Quasi improvvisazione
2. Presto
3. Allegretto
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